The ME-25 doesn’t try and give every tone ever created. It’s unlikely a user will need to get rid of their ME-25 because it’ll be broken – let’s see if the limited range of tones will put people off, or compromise the longevity of the product. It’ll be interesting to take a look at the tones it can create. You could confidently bring this to a show – several shows even – and not have to worry about it getting anything other than some cosmetic damage. The construction of the ME-25 accounts for a great deal of what points towards it being aimed at gigging musicians. The layout of the buttons fits the requirements and expectations of the pedal. It has a wide enough range to keep squealing metal soloists happy, with no concern for it unexpectedly breaking off. The full-size expression pedal rocks back and forth comfortably. Have I mentioned that the casing of this made of metal? This lends it a weightiness that makes you feel confident about taking it out and about to gigs, however, don’t let that description fool you into thinking this is a cumbersome piece of kit – it’s really not. For me, I think more buttons is better: it implies there’ll be less scrolling through options, or figuring out which button to press twice, or hold, for you to change its function. These are used for selecting your effects and tweaking the parameters.
The ME-25 comes with plenty of buttons, more so than cheaper multi-effects units, as well as three knobs. It seems pretty durable, reminiscent of the the stuff that Behringer use for their BOSS-influenced pedals. Jack plug for input, with two more for a stereo output – you can hook them up to two separate amps a jack plug output for headphones an auxiliary mini-jack plug for hooking up an external source like your phone or tablet, so you can play along with a track from that you mains input and finally, the USB connection.Īlthough the pedals and buttons are plastic, they are far from flimsy. The back panel doesn’t reveal anything too surprising.
It’s unlikely to ever win any awards for aesthetics – it’s very much a black box – but as long as you’re more concerned with function over form, that’s unlikely to be an issue. In terms of the parts used on this, it has all the metal you’d need from a gigging pedal. Although it doesn’t seem to have many effects in the context of multi-effects pedals, it suggests there’s more versatility than one might expect. Users can achieve this by creating their own patches, or downloading ones from BOSS’s Tone Studio.
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Most professional musicians will have individual pedals for their own sounds for their own songs, so this multi-effects would be well-suited to a gigging covers musician somebody who plays in bars or function bands, who needs to have high-quality tones, devoid of fuss. This is an intermediate piece of kit, but aspires towards a professional level, and is definitely close to that. I’ll assume that at this price, they’re aiming for quality over quantity. It looks like fewer effects and amp models than some cheaper models. MaterialĦ AA batteries mains – power supply not included
Beyond that, it boasts quite an onslaught of effects, tools, and features. The ME-25 is made of metal, giving it a solid rugged construction.
It sounds silly to say, but one of the core features of a BOSS pedal is that it’s a BOSS pedal. Image from Flickr Core Features and Specs
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